On each 3-note string, use three tones separated by whole steps. Keep the fingers relaxed and the notes even.
SCALE WORKSHOP
Intervals first.
Patterns second.
Choose a key, see the degree relationships, and connect small fragments. A shape becomes useful only when you know its root and can make a phrase from it.03 / THE SEVEN-LINK GRID
One scale.
No dead ends.
The major scale is seven notes arranged W–W–H–W–W–W–H. The octave repeats the same order. The neck looks enormous; the musical inventory does not.Three notes. Two notes.
Escape the box.
Start on the root with your index finger. Play three notes on one string, two on the next, then repeat that 3–2 engine diagonally. The five tones are always 1–2–3–5–6; the picture below moves with the selected key.
The next string carries two notes, also a whole step apart. That 3 + 2 pair contains all five major-pentatonic degrees.
Repeat the pair one octave higher. Crossing G→B forces the familiar one-fret correction; the diagram already shows it.
The diagonal minor-pentatonic cousin is commonly organized 2–3: two notes on one string, then three on the next.
Learn three spacing cells
Every three-note fragment is only W–W, W–H, or H–W. Those three cells generate all seven rows.
Let row seven disappear
A six-string guitar cannot display all seven rows at once. Treat the missing row as a visual spacer, then continue the same cycle in the next octave.
Repair the B-string kink
Standard guitar is mostly tuned in fourths, except G→B. Any shape crossing that seam shifts one fret toward the bridge. Bass keeps the geometry cleaner.
Make it music
Choose three or four notes, pause, repeat a rhythm, then resolve to I. A scale is a supply of notes—not an order to spray all seven.
An octave-repeat and 3-notes-per-string visualization built from the major scale. The “invisible seventh string” is a memory aid, not a secret tuning or a replacement for knowing the root.